Backlist Spotlight: Go Tell It on the Mountain by James Baldwin

I’m starting a new blog series in which I spotlight backlist books I love. My book club just finished reading and discussing Go Tell It on the Mountain by James Baldwin. It’s one of my all-time favorite books, so I decided to kick off this series by giving Baldwin’s stunning first novel a little love. Let’s dive in!

The Details

  • Publication date: May 18, 1953
  • Genre: Classic literary fiction
  • Setting: Harlem, New York City
  • Themes: Identity, religious belief and formation, family secrets, racism
  • Summary: On John Grimes’s fourteenth birthday, he experiences a powerful religious awakening as family history, trauma, and secrets come to light.

Why You Should Read This Book

Go Tell It on the Mountain was the first James Baldwin book I read, and after I finished it, I knew I wanted to read everything he’s ever written because I found his writing so profound. In addition to novels and nonfiction, Baldwin also wrote some poetry and drama. His sentence structure and metaphors reveal a poet’s sensitivity to words, and the dynamic scenes he describes would be at home in any theater. 

A vivid setting is important to me as a reader, and Baldwin delivers, whether he’s describing John’s walk down 5th Avenue, the tension in the family’s living room, or a conversion taking place in a raucous Harlem church service. Most readers probably wouldn’t describe this novel as a page-turner, but there are moments when Baldwin exposes a truth or has a character confront another that are as gripping as any thriller. 

Favorite Passages

The opening paragraph

“For he had no words when he knelt before the throne. And he feared to make a vow before Heaven until he had the strength to keep it. And yet he knew that until he made the vow he would never find the strength.”


“But to look back from the stony plain along the road which led one to that place is not at all the same thing as walking on the road; the perspective to say the very least, changes only with the journey; only when the road has, all abruptly and treacherously, and with an absoluteness that permits no argument, turned or dropped or risen is one able to see all that one could not have seen from any other place.” 

Further Reading

If you like or want to read Go Tell It on the Mountain, you might also enjoy:

5 Creepy Classics

Photo by Ehud Neuhaus on Unsplash

Autumn: a time for apple picking, corn mazes, costume parties, and horror films. I dislike all of those things, however, so my autumnal joy comes elsewhere, mostly from cardigans, pumpkin-flavored everything, and books. I like reading mysteries, thrillers, and horror-adjacent books all year long, but my desire to spend time with those genres intensifies in the fall. Today I want to share some of my favorite spooky books, specifically five of my favorite creepy classics.

Mulder: Do you think I'm spooky?
No, I don’t. I love you so much, Mulder.

Frankenstein book cover

Frankenstein by Mary Shelley

When I was assigned Frankenstein in college, I was unexcited. Nothing about the book sounded like something I’d like. But because I am a rule-follower to the max, not reading the book wasn’t an option. Much to my surprise, I ended up genuinely enjoying this classic tale of identity, loneliness, and revenge. Though I was dreading this book based on the monster and sci-fi aspects, the heart of the story is about basic human emotion and desire. Frankenstein was first published in 1818, yet its themes are as timely as ever. If you’re skeptical of this book like I was, give it a try. I bet it will surprise you.

The lottery book cover

“The Lottery” by Shirley Jackson

As I read “The Lottery,” I had one of those moments when I thought I’d misread something: Is this what I think it is? Is this really happening? It was indeed happening, and because of this story’s profound darkness, it’s one that has stayed with me. When I read a short story that holds so much in so few words, I’m always amazed at the writer’s skill. Shirley Jackson is no exception. Her other work is high up on my TBR. (I’m not the biggest fan of graphic novels, but this book by Jackson’s grandson is very well done.)

The picture of Dorian Gray book cover

The Picture of Dorian Gray by Oscar Wilde

Because I do judge books by their covers sometimes, I bought The Picture of Dorian Gray due to its beauty, not because I was desperate to read it. (Which I now realize fits nicely with this book’s plot.) I don’t remember what made me finally move from staring at the book to finally reading the book, but I’m grateful for whatever inspired me. This story of a man’s self-obsession and self-preservation is fascinating, disturbing, and maybe a little too relatable in my selfish moments. Wilde tells a haunting story of destruction from the inside out.

The stepford wives book cover

The Stepford Wives by Ira Levin

The Stepford Wives is another book I read in college thanks to my theories and fictions of the women’s movement class. Along with reading pieces by Betty Friedan, Gloria Steinem, and Audre Lord, we read a few novels, including this one. This book is about perfect wives and mothers and the cost of that perfection. Most classics are classics because they have timeless themes, and this book could spark a conversation right now that’s as relevant as ever.

The monk book cover

The Monk by Matthew Lewis

I wrote about this book before, but it’s too good not to mention again. Here’s what I said then:

This gothic novel is difficult to summarize. There’s a monk, of course, named Ambrosio. There’s a woman and/or demon who tempts him. Eventually, Ambrosio sells his soul to the Devil, which is never a good move, in my opinion. In the NoveList description of this book, they call it “an extravagant blend of sex, death, politics, Satanism, and poetry.”

If that’s not enough to get you reading, I don’t know what more I can say.


Do you find yourself reaching for books like these come fall? What are some of your favorite creepy classics? I’d love more titles to add to my list.

5 Contemporary Books I’d Add to the Literary Canon

Back in October, I wrote a post about classic books I didn’t finish. In today’s post, I want to talk about books I did finish, books I think are so good they should be considered classics someday.

First, it might be helpful to identify what I mean by a classic. I like the famous definition from Italo Calvino: “A classic is a book that has never finished saying what it has to say.” I think of a classic book as being a title that’s widely read and discussed decades after its publication. It’s a book that has endured because of a specific reason, whether that’s a timeless story, a profound message, the exploration of universal truth, an in-depth look at culture, or clever writing. The books I’m sharing today have that something special that will allow them to endure. Keep reading to see if you agree. 

Book cover for Sing Unburied Sing by Jesmyn ward. Living with his grandparents and sister on a Gulf Coast farm, Jojo navigates the challenges of his mother's addictions and his grandmother's cancer before the release of his father from prison prompts a road trip of danger and hope.

Sing, Unburied, Sing by Jesmyn Ward
Published: 2017

I remember finishing this book and being stunned by it. I read it all in one day was tempted to start all over again after I read the last words. This novel explores a lot of different things, but what stands out to me is how Ward addresses addiction and sibling love. Jojo shows such tenderness and kindness toward his little sister, and it’s those moments that shine so brightly in a dark story. Leoni, Jojo’s mother, cannot provide what her daughter needs due to her addiction, so Jojo picks up the slack. I appreciate how Ward shows the different roles family members can take on when necessary and how addiction affects everyone in the addict’s orbit. 

Book cover for A Little Life by Hanya Yanagihara. When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

A Little Life by Hanya Yanagihara
Published: 2015

I can’t think of another novel that affected me quite as profoundly as A Little Life. Before I started this book, I kept seeing the word “heartbreaking” in just about every review. That’s for a good reason: it is indeed heartbreaking, and it’s not a story for everyone. If you’re a sensitive reader, this is probably not the book for you. But if you’re looking for a story about friendship and surviving trauma, there is much to appreciate here. Jude’s story is bleak and full of tragedy, yet Yanagihara shows how sometimes the smallest things can keep a person going. It took me a few days after finishing this book to get over it. Once you meet Jude, you won’t forget him. 

Book cover for Middlesex by Jeffrey Eugenides. Middlesex tells the breathtaking story of Calliope Stephanides, and three generations of the Greek-American Stephanides family, who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City and the race riots of 1967 before moving out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction.

Middlesex by Jeffrey Eugenides
Published: 2003

It’s easy to see why this book won a Pulitzer prize. It’s epic in scope, beautifully written, and wholly original. I haven’t read anything else quite like Middlesex. Cal’s story and that of her family are fascinating from beginning to end. This book is over 500 pages, yet I finished it in less than a week. Not only is it a masterful story, but it’s highly readable and engaging.

Book cover for Gilead by Marilynne Robinson. In 1956, toward the end of Rev. John Ames's life, he begins a letter to his young son, an account of himself and his forebears. This is also the tale of wisdom forged during his solitary life and how history lives through generations, pervasively present even when betrayed and forgotten.

Gilead by Marilynne Robinson
Published: 2004

When I read fiction, I don’t tend to underline passages very often. Open my copy of Gilead, though, and you’ll see page after page bearing my uneven scrawl. I mentioned this novel in my post about Christian faith in mainstream fiction, and if you read that, you’ll know part of the reason why I appreciate this book so much is because Robinson handles Ames’s faith with honesty and nuance. Readers can learn a lot from this novel, yet it’s never preachy. Rev. Ames is a character who has stayed with me, and I bet he’ll stay with you, too. 

Book cover for Columbine by Dave Cullen. What really happened April 20, 1999? The horror left an indelible stamp on the American psyche, but most of what we "know" is wrong. It wasn't about jocks, Goths, or the Trench Coat Mafia. Dave Cullen was one of the first reporters on scene, and spent ten years on this book-widely recognized as the definitive account. With a keen investigative eye and psychological acumen, he draws on mountains of evidence, insight from the world's leading forensic psychologists, and the killers' own words and drawings. Cullen paints raw portraits of two polar opposite killers. They contrast starkly with the flashes of resilience and redemption among the survivors.

Columbine by Dave Cullen
Published: 2009

I was in middle school when the Columbine tragedy occurred, and was equally horrified and fascinated. School shootings had happened before, but never at that scope. It’s easy for us to watch the news and think we know precisely why these shootings occurred, but in this book, Dave Cullen challenges every assumption and presents facts that can’t be denied. It’s hard to read, yet is an essential book if we’re hoping to understand more about what turns a kid into a killer. 


So what do you think? Do you agree with any of my additions to the canon? What books do you think should be added? 


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3 Things I Learned While Earning My English Degree

As an undergrad student majoring in English, the one question I got all the time was, “So you’re going to teach?” My answer always has and always will be “no.” Teachers are amazing, but teaching isn’t my calling. If I taught, the students and I would both be crying a lot, and I find it best to avoid mass crying.

Though I don’t use my degree to teach, it’s come in handy a time or two over the years. Today I want to share the three most important lessons I learned while getting my degree and how I’ve put them to use.

I LEARNED HOW TO REALLY READ.

I’ve always been an avid reader, but it wasn’t until college that I learned how to read through various lenses. Whenever I read anything before, I read it through the lens of a white, middle-class millennial. But in college, I learned how to read through the lens of the Victorians, the Romantics, and the audiences who witnessed Shakespeare’s plays. As I earned my degree, I learned that when I read, I need to think about context, such as:

What time period was this written in?
Who was the original audience?
What would stand out to them that can inform my opinion today?

That knowledge has been incredibly beneficial and opened up texts to me in whole new ways.

I LEARNED THERE’S A REASON WHY SO MUCH CLASSIC LITERATURE IS REVERED, EVEN IF I DON’T LOVE IT.

Reading Moby-Dick wasn’t the most fun I’ve ever had, but I’m glad I read it. Melville’s story of an obsessed man going on an epic quest is a timeless story about longing and revenge. I’m not Shakespeare’s biggest fan, but it’s astounding to me that people are still analyzing and enjoying his words even now. His use of language amazes me. I might not pick up Paradise Lost or The Scarlet Letter for light weekend reading, but those stories tell us something profound about humanity, sin, and judgment. I didn’t love all the reading I was assigned in school, but I did discover books like The Monk by Matthew Lewis and Pudd’nhead Wilson by Mark Twain. I also encountered contemporary works like Never Let Me Go by Kazuo Ishiguro and Love Medicine by Louise Erdrich. Good fiction always tells the truth, and those books tell it beautifully. Even though I didn’t like every text I was assigned in school, I’m better for having read them, and I was exposed to some great writers along the way.

I LEARNED WHAT IT MEANS TO BE A FEMINIST AND THAT I AM ONE.

In my last semester of college, I took two classes that paired perfectly. One was an English class teaching the theory and fiction of the women’s movement thus far, and the other was a sociology class about gender. I went into those classes pretty neutral about feminism. It wasn’t a word I used to identify myself, but if someone else used it, that was just fine with me. I couldn’t have given you a good definition of the term at all until I read the passionate words of Audre Lorde, Naomi Wolf, and others like them. I didn’t fully understand how hard women had to fight to vote or to buy a house on their own. I couldn’t have explained why feminism is so important before I watched a documentary in my sociology class about how women are objectified. I knew that was true, of course, but it wasn’t until I saw scenes of women allowing members of a rock band to throw pieces of deli meat onto their skin to see if it would stick that I realized just how little women’s lives matter to people who only see them as entertainment.  Learning about how the world has mistreated women and how so many have fought back shaped me in ways that I’m still uncovering.


What are the important things you learned in school? I’d love to hear them!


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Top Five Friday: Classics I Failed to Finish

I’ve been an avid reader since birth (well, almost.) I know I read more than the average person. I have an English degree that required me to study everything from Beowulf to Zadie Smith. If there was an Olympics for reading, I might not be Michael Phelps, but I’d like to think I’d at least get a bronze medal or two.

In spite of my self-bestowed status as an Olympian reader, there are many classics that I have tried and failed to read.  Today I want to share five of them and briefly explain why they weren’t for me. Keep reading and behold my literary failures.

ulysses

Ulysses by James Joyce

Bless my precious heart for thinking this book couldn’t possibly be as daunting as people said. (It is.) Goodreads says this book is “a major achievement in 20th-century literature.” Even so, it’s just not for me.  I admire Joyce’s creativity, risk-taking, and lasting contribution to literature, but I think I only made it ten pages before closing the book and putting it back on the shelf.

One of my college classmates did read Ulysses in its entirety. I still remember him and think in a Chris Traeger voice, “Way to go, buddy. Way to go.”

pride.jpg

Pride and Prejudice by Jane Austen

I’ve always liked going to antique stores, even as a kid. When I was in middle school, I was in an antique store with my parents and found a beautiful copy of Pride and Prejudice. I decided to get it and read it. I did get it, but read it? Not so much. I tried, though. I’ve picked up this book at least five times and wanted to read it, but I just can’t make myself finish it. I can’t get into it at all. That didn’t stop me from buying another copy of it, though. I had to have the A in the Drops Caps collection. I tried reading that edition, thinking my brain might be tricked by the new cover, but no. I still can’t do it. Kathleen Kelly would be so disappointed in me.

little.jpg

Little Women by Louisa May Alcott

If you weren’t upset enough that I don’t like Pride and Prejudice, I’m sure you’ll be thrilled to know I don’t like Little Women, either. I made it about 100 pages into this book (which is way farther than I’ve ever made it in P & P) but I lost interest and couldn’t make myself finish it. I own a beautiful edition of this book, so I keep it around for its looks, but I’m just not into its personality. Sorry, Louisa.

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Joseph Andrews by Henry Fielding

To earn my English degree, I had to take and pass a comprehensive exam. The reading list was lengthy, including novels, poems, plays, and stories. I honestly don’t remember much that was on the list, but I remember this book. I am an avid rule-follower, so I did my assigned reading. I wasn’t the student who would just use SparkNotes and hope for the best. But as I read Joseph Andrews, I actually said out loud, “I hate you, book.” I briefly turned into a rebel and didn’t finish the book, but I passed the exam anyway. Joseph and I were never meant to be.

middlemarch

Middlemarch by George Eliot

I hear Middlemarch come up all the time in people’s lists of favorite books, so it’s the only title on my list that I want to try again someday. I read quite a bit of this one and was really into it when I first started, but I lost interest around the halfway point. I’m not quite sure why, but I just didn’t care enough to go another 400 or so pages. Maybe the timing was wrong. I promise I’ll come back to you someday, George Eliot.


What are the classics that haunt you? What are the ones you just couldn’t force yourself to finish?